I am definitely going to try and catch them at Wacken Winter Nights, as from what I can hear the live performance is likely to evoke more feeling, and of course, you can’t have a jig pit while sitting on a bus listening to this album on the way to work…
An absolutely fantastic night of symphonic power metal with a splash of rock ‘n’ roll.
I do enjoy the composition, and from the live video below the band do have a lot of enthusiasm and if I got the opportunity to see them, I would take it. I hope to hear a full-length album from them in the future!
This album is maybe something I wouldn’t have immediately picked up from the cover and album title, but I did really enjoy the tracks. It’s a little bit out of my normal taste, but I had a lot of fun listening to it, and it brought back memories of some of the music I used to listen to in the late 90’s and early 00’s, when you had bands that used to sing of lost love and have some real emotion and feel behind the music.
Furor Gallico have produced something amazing. The folk instruments blend in effortlessly with the more traditional heavy metal instruments, and the composition is perfect.
The album tells a story, not only through the lyrics but through the instrumentals as well. There are highs and lows in the music as an epic battle or war seems to take place throughout the tracks of the album.
Despite the fact the album doesn’t really flow well for me personally, the actual composition of the individual tracks is really good. If a future full-length release is in the works, I would like to see some more consistent themes in the instrumentals.
A special double feature review of my experiences at the Heilung performance on 9th November 2018 at the Islington Assembly Hall in London, and of Wardruna’s performance at the Albert Hall in Manchester on 21st November 2018.
Band: ValyriaAlbum: Into the Dying of TimeRelease Date: 18th May 2018Record Label: Self-Release I can’t remember exactly how I came across Valyria and their latest album,
Sorgir will not only appeal to the die hard Skálmöld fans, but also to those who may not have heard much of their music before and are into the more traditional metal sound.
This is an amazing debut from YYLVA. The tracks are really well written, the mix is brilliant and Clare’s vocals are absolutely incredible. I expect many more great things from YYLVA, and I am excited to hear more in the future.
When I heard that this was blackened Viking metal, I wasn’t expecting the amount of folky influences akin to Moonsorrow, and I really do enjoy that. The Italian folk metal scene, and the southern European folk metal scene in general are getting bigger, and there are some fantastic bands coming out of this.
It’s what I like in folk metal all in one nice neat package of an album. The album is consistent without being too similar and every track being the same, each track has its own unique identity. I am very much looking forward to hearing even more Triddana in the future!
My review of my experience of Thursday and Friday of Bloodstock Festival 2018.
A beautiful and atmospheric take on some of the lesser-known lore of Tolkein’s world.
Home of fika, meatballs, Ikea and some absolutely fantastic metal, I am absolutely spoilt for choice when it comes to discovering new folk/pagan/power metal bands from this wonderful country.